Anthony Hecht
The Dover Bitch (1968)
A Criticism of Life
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So there stood Matthew Arnold and this girl |
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With the cliffs of England crumbling away behind them, |
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And he said to her “Try to be true to me, |
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And I’ll do the same for you, for things are bad |
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All over, etc., etc.” |
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Well now, I knew this girl. It’s true she had read |
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Sophocles in a fairly good translation |
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And caught that bitter allusion to the sea, |
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But all the time he was talking she had in mind |
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The notion of what his whiskers would feel like |
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On the back of her neck. She told me later on |
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That after a while she got to looking out |
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At lights across the channel, and really felt sad, |
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Thinking of all the wine and enormous beds |
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And blandishments in French and the perfumes. |
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And then she got really angry. To have been brought |
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All the way down from London, and then be addressed |
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As a sort of mournful cosmic last resort |
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Is really tough on a girl, and she was pretty. |
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Anyway, she watched him pace the room |
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And finger his watch-chain and seem to sweat a bit, |
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And then she said one or two unprintable things. |
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But you mustn’t judge her by that. What I mean to say is, |
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She’s really all right. I still see her once in a while |
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And she always treats me right. We have a drink |
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And I give her a good time, and perhaps it’s a year |
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Before I see her again, but there she is, |
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Running to fat, but dependable as they come. |
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And sometimes I bring her a bottle of Nuit d’ Amour. |